Welcome to another film awards season. I originally ran a site called “Awards Addict” which featured content on the road leading up to the Oscars. This year, I’m happy to say that content will be available at The Wise Guise for your reading pleasure. I know. You’re welcome.
As for those of you wondering about my credentials for covering the Oscar race, I’ve been doing so since 2005. I’ve got a pretty consistent record of knowing what the Academy likes and doesn’t like despite some of the more ludicrous choices we’ve seen grace the stage at the actual event. I’ve also personally been to Academy screenings and have an idea of who the typical Academy member is and what they like.
Now that you have an idea of my background, let’s get into this year’s race. For those of you unfamiliar with how the game is played (and the Oscar race is nothing more than a Hollywood game), the whole season begins with a slew of critic groups announcing their picks to garner buzz for contenders.
For the longest time, the general thought was “Gravity” and “12 Years a Slave” would be the critical darlings attracting the most top honors. But the first two Best Film awards of the season popped that consensus bubble quite rapidly. With the New York Film Critics’ choice of “American Hustle” and the National Board of Review’s stunning support of “Her,” this awards season has already gotten compelling in its infancy.
So what do these two choices ultimately mean?