With the Golden Globes just days away, the awards season is in full swing. The biggest indicators of what films are favorites heading into the Oscar nominations – the Directors Guild of America selections – were announced and secured five films as leaders. Read more
The second of the all-important guilds – the Producers Guild of America – unveiled their Best Picture nominations, and most of the line-up was the usual suspects in this year’s Oscar race.
The selections for the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures were as follows:
Isn’t 13 suppose to be an unlucky number? Don’t tell that to the entertainment industry. This past year turned out to be one of innovation on multiple fronts.
The cable box took a back seat to streaming services in the pursuit of new TV series. Music artists started offering up full album appetizers for listening before consumers bought the main course. A wide range of fresh devices entered the market, including newly numbered gaming consoles and tablets with more pixels than we could count.
Of course, not everything had the high-quality stamp of approval. Despite crafting a surprisingly solid album, Miley Cyrus seemed more content making shock performances for headlines than art. Ben Affleck being chosen as the new Batman left more than a few of us scratching our heads. Oh, and let’s not even begin to get into Kim and Kanye’s new child, A&E’s “Duck Dynasty” debacle and the epic meltdown of Amanda Bynes.
Instead, let’s focus in on the sights and sounds that left us feeling good. Without further hype, here are the top 13 things that made 2013 a satisfying year. Read more
The Wise Guise is honored to have Alex Beene bring his “Awards Addict”, Oscar season awards coverage to our site this year. To bring you up to date, his first two posts were on critics awards and the SAG nominations. But things have kicked into high gear with the full list of Golden Globe nominees in both film and TV. We got a roundtable together to discuss the nominations, so check out our post to see what Joseph, Sutter, Alex, and Jeremy thought.
Each year, a heavy amount of anticipation is given to the Screen Actors Guild nominations. They are in many ways the first “inside view” we get as to what the Academy is liking during the awards season. After all, the actors branch is the largest one in the Academy’s membership, and presumably most – if not all – of those actors are also in SAG.
Of course, it would be and is often a fault to take these nominations too seriously when assessing the Oscar race. Yes, they are a very good indicator for the actors and actresses who get nominated, but keep this in mind: (a) these nominations are made very early in the season, meaning most voters didn’t see every film in contention yet and (b) these are acting-based nominations, and “Best Ensemble” does not equate to “Best Picture.”
Still, they’re the first clues we get, so let’s put them under the magnifying glass.
Welcome to another film awards season. I originally ran a site called “Awards Addict” which featured content on the road leading up to the Oscars. This year, I’m happy to say that content will be available at The Wise Guise for your reading pleasure. I know. You’re welcome.
As for those of you wondering about my credentials for covering the Oscar race, I’ve been doing so since 2005. I’ve got a pretty consistent record of knowing what the Academy likes and doesn’t like despite some of the more ludicrous choices we’ve seen grace the stage at the actual event. I’ve also personally been to Academy screenings and have an idea of who the typical Academy member is and what they like.
Now that you have an idea of my background, let’s get into this year’s race. For those of you unfamiliar with how the game is played (and the Oscar race is nothing more than a Hollywood game), the whole season begins with a slew of critic groups announcing their picks to garner buzz for contenders.
For the longest time, the general thought was “Gravity” and “12 Years a Slave” would be the critical darlings attracting the most top honors. But the first two Best Film awards of the season popped that consensus bubble quite rapidly. With the New York Film Critics’ choice of “American Hustle” and the National Board of Review’s stunning support of “Her,” this awards season has already gotten compelling in its infancy.
So what do these two choices ultimately mean?